Saturday, June 11, 2011


The Photography of Barry Underwood.

“It is better to light one small candle than to curse the darkness.” —Eleanor Roosevelt

Tuesday, June 7, 2011

The Traffic Island Chronicles

There is an island that I spend a lot of time on. It’s strange. I have waited on this island for many minutes. I should probably not spend as much time there as I do.

I was on the island again the other day, sitting on a bench, staring at the ginkgo tree and smelling the simultaneously comforting and revolting hamburger exhaust from a nearby restaurant. This island attracts people who are somewhere between somewhere-to-be and nowhere-to-go. No one is waiting for them, anywhere.

Two men sat on the bench perpendicular to me. They were sleeping as the sun beat down on them. They had on the same pair of black boots and I wondered if they knew. Or if they knew each other. Then, a woman came and sat next to me and ate one of those huge homemade rice crispy treats that they sell in delis, but that no one ever purchases. She was new to the island. Just as I thought about how my island faithfully attracts transitional characters, misfits, outcasts and odd birds, a pigeon walked by with a deformed or badly injured foot.

On my island you will find two large black metal trash cans, three benches, five medium sized trees, two small trees and two shrubs in planters. Most of the trees are sycamores, the type that have the bark peeling off so it’s variegated, like camouflage. Each tree sits in a bed of wood shavings, which is surrounded by concrete. The ginkgo tree across from the island lights up a charasmatic green against the deep red brick facade. The facade belongs to an old factory building, the kind with crumbled character that will be missed and then forgotten when the city tears it down and puts a high-rise in its place. Most of the surrounding buildings are low now, so I can see clear to the 59th street bridge. And I can see sky.

I sit on this island and wait for Joe to finish work, many times he takes too long and I grow restless with a kind of urban island fever. Many times I leave the island before Joe arrives and I wait somewhere else.

Sunday, May 22, 2011

Outburst Opportunities

Opposition often occurs by obsessively observing objects,
old ways obstruct open minds
other opinions often offend orthodox oracles.
Ongoing offensive obstinate overblown omnipotence overwhelms ordinary orderly options.
On the other hand, oppression of non-objective object observations only omits obvious
inevitable ongoing outburst opportunities.

When I was in art school I wrote a little book of poems and illustrated it with typography. It was full of alliteration. Each page featured a different letter. The first spread was all words that began with the letter {W}, the second page {O}, the third {R}, fourth {D}, fifth {P}, sixth {L}, then {A} and {Y}. It spelled out {WORDPLAY}, which is all it was. Here is the second installment, its about looking at art.

Thursday, May 19, 2011

A Little Alliteration: W

When I was in art school I wrote a little book of poems and illustrated it with typography. It was full of alliteration. Each page featured a different letter. The first spread was all words that began with the letter {W}, the second page {O}, the third {R}, fourth {D}, fifth {P}, sixth {L}, then {A} and {Y}. It spelled out {WORDPLAY}, which is all it was. Here is the first installment, this poem is called Web of Wisdom.

What does your mind wonder when
you witness words working their way?
Whether it woe or whimsy,
weaving a web of wisdom
willfully wrapping, wrapping,
wrapping your weak will into a womb
until you worship what you see written
without so much as a wince.
Will you wonder when words work their witchcraft,
or will you wane and whimper beneath the
wise world of words that whip you with their
wit.


Tuesday, March 22, 2011

On the Street

Bill Cunningham is a street photographer. He rides a bicycle, wears a blue jacket and takes pictures of people on the street. Other people’s clothing are his absolute raison d’etre. He lives a life of extreme asceticism. Never cooks. Hardly eats. Goes to church on Sunday. Doesn’t particularly care for money. Has few personal items and even fewer personal friends. He attends all the fanciest parties in New York. But he doesn’t party, not one bit. He works instead. Fastidiously chronicling what people wear through his pictures. He has devoted his entirety to searching for beauty. Bill is a fashion monk.

His photo page in the Times is a veritable quilt of the town’s quirk. He shoots pictures of people who are uniquely dressed and then finds other people who are wearing something similar. He follows patterns of color, texture, cut and curiosity. At it since the ‘60’s, Bill captures that quality of New York that makes ordinary people instantly boring. Older ladies in large black rimmed round glasses, couches turned into suits, hats, astonishing egos, pelts, fuzz, feathers, impossible heels. Its magical realism, but its real.

We saw a documentary about his life tonight, its called “Bill Cunningham’s New York”. It was seriously heartwarming and inspiring. It made me wish more people were like Bill.

But before we saw the film, Joe saw him. A few months ago. On the street. Riding his bicycle. Joe approached him and asked him for a picture for his wife, who is me. And so, Bill let Joe take a video of him. You can hear the smiles that ensued between my darling and the city’s humble fashion darling, Bill.